Indigo
Newbury-Chun
Interview with Nandini Dhir
Shot by Sevin Pakbaz
From PUSH Magazine Issue 3
Indigo (aka Calli Comical) is a rising screen printer, sewist and designer in Sydney. She works as a commercial screen printer and as a seamstress in costuming, fashion, theatre, film and performance. Indigo started sewing when she was 15, entering the fashion and design industry at 17. Now, she’s being commissioned by artists and musicians alike, and working on costuming for the Moulin Rouge.
WHERE DID YOU START AND HOW DID YOU GET TO WHERE YOU ARE NOW; SEELING YOUR PIECES AND LANDING COMMISSIONS?
I didn’t like high school very much. I was more of a hands-on learner, and I really needed to visualise things in order to understand them. My dad used to screen print as a teenager, he saw Bobbin and Ink on Parramatta Road and just suggested I reach out to them. I ended up doing work experience there for a week in year 10. The owner, Laura Walsh, is the primary reason I work in this industry. Without her direction and access to her facilities, I wouldn’t know how to sew or screen print at all. I eventually ended up working at Bobbin and Ink. I would stay back late to use the facilities and practice sewing and screenprinting. I spent years making mistakes, I spent days with nothing to show for all these hours of hard work, and then one day I slowly started to get things right. It just took a really fucking long time to pass that boundary. I also did a Certificate III in Applied Fashion Design and Technology at TAFE which is a really important course if you want to become a good seamstress and pattern maker.